Charles Bronson is a man branded Britain's most violent
prisoner, however since being in jail has become a prolific artist. He has
caused a large amount of controversy, with some of his works being displayed in
galleries and tube stations across London, fetching up to £1000.
Bronson describes sketching and painting as his ‘greatest
pleasure’, creating hundreds of artworks of which a large number depict his
life ‘inside a cage’. Many of the works are cartoons that tell the story of his
numerous crimes, whilst injecting a sense of humour.
I find his very upfront yet humorous approach fascinating,
but particularly like how he appears to use art as a form of therapy and
release. My primary research appears to support this as I have found a range of
different forms of art, by a diverse range of people, in a diverse range of
places. It seems anyone is capable of having a little creative outburst, and some
people use this more than others as a way of releasing emotions, thoughts, and
feelings, whilst also communicating a small amount of their personality.
Bronson is a great example of this.
Whilst researching him and his work I found that he seems to channel a
wide range of his emotions through his work. For example his restraint and
forced drug depictions portray his dark side, full of anger, frustration,
bleakness and negativity, whilst his delicate animal drawings of cartoon
creatures portray his much more unseen softer side, perhaps full of love,
kindness, and guilt? The humorous work takes away the brutality of the darker
sketches/paintings, possibly to enable people on the outside world to connect
with Bronson’s work, and therefore connect with him, and see the slightly more
light hearted and pragmatic approach he has adopted on the subject. Or maybe
the light heartedness is a trick to pull people in, and only once they are
immersed in the work they realise the cold hard truth of what is being depicted
and its connotations.
Something I found interesting about Bronson’s work is that
there were objections to work being put up in tube stations and galleries.
However this isn’t because of the nature of the work, this is because of the
artist. There may never have been any criticism if viewers were oblivious to
the creator of the work, yet upon discovering it was created by an outsider
artist there was a large amount of criticism. This shows there is still a
divide between people considered outsider artists, and the likes of fine
artists, which could also suggest there is still a divide between high and low
art.
I find it fascinating how a lot of Bronson’s work questions
the viewer through the bold statements and drawings used. Usually we would be
unlikely to listen to a prisoner who wants our attention to consider his views
and opinions. Yet his work quickly and clearly makes us think about whatever
subject he is broaching, and sometimes question the message he is putting
across. Whilst researching Bronson I found that he draws inspirations on a daily
basis from anything around him. This approach is similar to the Paul Smith
quote – “You can find inspiration in everything. And if you can’t, look again”.
Bronson is a great ambassador for this quote. He is in a very closed off and
confined space yet constantly finds inspiration to create great pieces of work.
Finding inspiration in whatever surrounds us encourages us to be creative, and
therefore create overlooked pieces of artwork wherever we are.
Leading on from this I am going to explore whether people
are expressing themselves (as Bronson does but not necessarily in the same way)
when they create unnoticed or overlooked pieces of art, and if so what they
could be expressing/why. I will do this by collecting primary research and
analysing selected pieces.
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